Alonzo, founder of Alofil
Founder

Hi, I'm Alonzo. I run Alofil, in-person video production for DTC brands.

I started making content when I was fourteen. By 2019 I was shooting professionally, and over the next six years that work reached about 40 million views. I've shot for brands like Champion and Tencent, for music artists including Zach Diamond, Zion and David Burns, and with YouTube creators whose channels run past a million subscribers. Along the way I worked with hundreds of businesses, most of them small and local, and won first place at three film festivals, each judged against more than 5,000 West Coast directors.

The detour

Then I stepped away.

I spent two years studying electrical engineering, and I work in aerospace today. It was the most demanding thing I've ever put myself through, and I'm grateful for every part of it. Engineering taught me to think in systems, to hold work to an exact standard, and to respect what one missed detail can cost. It's also why there's less of my work online from those years.

But somewhere in those two years I noticed what was missing. Designing something that does exactly what you specified is a craft I respect. Making something that makes a real person stop and watch is a craft I love. Engineering was a discipline I had developed. Content was the discipline that had developed me.

So I came back.

Why in person

I came back to an ad landscape full of footage that could belong to anyone. Generated clips, remote creators filming somebody else's kitchen counter, all of it available to your competitors for the same price you paid.

What can't be bought that way is what only exists at your address: your founder, your team, your product being made. Somebody has to show up with a camera. That's the work I built Alofil around, and it's the work I've loved since I was fourteen.

My job at Alofil

To make in-person filming something a brand can buy on a schedule instead of a favor it has to arrange. One filming day a month at your location, shot by a local operator I hire and direct against a written shot list, then edited into a month of content and delivered on the same date every month. The same eye that earned those 40 million views, with the discipline engineering gave me, on every piece that leaves my hands.

Get Started

Get a camera inside your brand, every month.

Tell us where you're located and how much creative you burn each month. We'll come back with a shot plan and a price.

Book a call. No obligation.

Your competitors can buy the same remote creators and the same AI tools you can. What they cannot buy is footage of your founder, your team, and your process. That only exists if someone shows up and films it.

Book a Call